SZIGETI The Complete European Columbia Recordings (1926-46) - PABX042

This album is included in the following sets:

SZIGETI The Complete European Columbia Recordings (1926-46) - PABX042

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Overview

BACH Violin Sonatas 1 & 2
BACH Concerto for Two Violins
HANDEL Violin Sonata No. 4
TARTINI Violin Sonata in G
TARTINI Violin Concerto in D minor
MOZART Violin Sonata No. 21
MOZART Violin Concerto No. 4
short works by BACH, EXAUDET, TARTINI, VERACINI

BEETHOVEN Violin Concerto
WEBER Violin Sonata No. 3
PAGANINI Caprices
SCHUBERT Rondo

MENDELSSOHN Violin Concerto
BRAHMS Violin Concerto
BRAHMS Violin Sonata No. 3
Music by Berlioz, Hubay, Elgar, Kreisler, Dvořák, Chabrier, Rimsky-Korsakov, Falla

WARLOCK Capriol Suite
PROKOFIEV Violin Concerto
BARTÓK Hungarian Folk Tunes
BARTÓK Romanian Folk Dances
IVES Violin Sonata No. 4
BLOCH Violin Concerto
music by Debussy, Ravel, Milhaud, Lie, Szymanowski, Scriabin, Stravinsky




This set contains the following albums:

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SZIGETI The European Columbia Recordings, Volume 1 (1927-37) - PASC621

Joseph Szigeti was born in Budapest in 1892. After showing promise on the violin at a very young age, he was accepted as a student by Jenő Hubay and made his Berlin debut at thirteen. Shortly thereafter, he settled in England for several years. It was during this period that he met Ferruccio Busoni, who was to become a major influence in moving the young prodigy from being merely a talented virtuoso toward becoming a more intellectual and analytical musician.

A stay in a Swiss sanatorium in 1913 to treat his tuberculosis introduced Szigeti to a fellow Hungarian who was to become another major influence on him as a musician and a lifelong friend, Béla Bartók. Szigeti remained in Switzerland for several years, teaching and expanding his facility in playing chamber works. In 1925, he played for a visiting Leopold Stokowski, and was quickly invited to make his American debut. He shortly became established internationally as a concert artist. He settled in the USA in 1940, and continued his concert career for another twenty years before retiring to write and teach. He died in 1973.

Szigeti’s earliest recordings were made in England for the Gramophone and Typewriter Company between 1908 and 1913. He made no further discs during the acoustic era, save for a handful recorded in Russia in either 1924 or 1926. In the latter year, he began an association with English Columbia that lasted for eleven years, with one session for their Japanese affiliate in 1931 that produced four sides. In 1938, he began recording for American Columbia, where he remained until 1956,