Pristine Classical

Back to Top

Pristine Classical:  the finest historic recorded music, remastered to award-winning acclaim!

LATEST: "Eight remastered classical recordings you need to hear" from The Spectator

Keep up to date with Pristine news and reviews at our Facebook page here



Massive find: Maria Callas's definitive 1959 Medea

It's one of the definitive roles of Maria Callas's career, and widely considered the greatest recorded performance of Cherubini's Medea. A newly-discovered source recording now transforms the sound quality from poor broadcast to state-of-the-art late-50s studio quality in this astonishing new XR transfer by Andrew Rose at Pristine. You won't believe your ears!

“the sorceress playing a sorceress” - Opera News

“this remains the Medea of choice” - Fanfare

”this is the one to have if you want to hear La Divina in finest form in a favourite role and worthily accompanied” - MusicWeb International


Medea - Maria Callas
Giasone- Jon Vickers
Glauce - Joan Carlyle
Neris - Fiorenza Cossotto
Creonte - Nicola Zaccaria

Soloists, Orchestra and Chorus of the Covent Garden Opera
Nicola Rescigno, conductor

Recorded live 1959  
PACO119 (2hr 14:22)


Horenstein: Mahler 8 & Wagner

Master of Mahler, Jascha Horenstein, in a live stereo BBC recording from 1959 in one of the greatest performances of Mahler's 8th Symphony, sounding awesome in this new XR remaster - coupled with three Wagner selections in magnificent 1962 studio recordings with the Royal Philharmonic Orchestra.

"the Albert Hall was made more or less to vibrate with sound by 750 voices and instrumentalists engaged in a presentation of the work to an assembly which filled the enormous place from floor to topmost gallery ... Jascha Horenstein controlled the apocalyptic structure firmly and purposefully, avoiding the occasional chasms and glimpses into vacancy, and scaling the heights without haste or waste of breadth."
- The Guardian

WAGNER  Der fliegende Holländer - Overture
WAGNER  Tannhäuser - Bacchanale
WAGNER  Siegfried Idyll  Siegfried Idyll
MAHLER  Symphony No. 8 ("Symphony of a Thousand")

Soloists, choirs et al
London Symphony Orchestra
Royal Philharmonic Orchestra

Jascha Horenstein, conductor

Recorded 1959 and 1962  
PASC440 (2hr 1:13)


Stokowski Acoustic, Volume Two

Pioneering early recordings by Leopold Stokowski and the Philadelphia Orchestra are brought back to life in these astonishingly vivid XR remasters by Andrew Rose.

"The last Stokowski acoustic recording of a French work was also the most difficult to record, given the technical limitations of the acoustic recording process.  This was the beautiful, ethereal, and wide ranging Prélude à l'après-midi d'un faune by Claude Debussy.

Stokowski and the orchestra had unsuccessfully attempted to record the Prélude during their initial 1917 sessions, and again in 1921, but neither were released by Stokowski.  Then, on April 28, 1924 in the Camden Church Studio the Philadelphians, with star soloists Marcel Tabuteau, oboe and William Kincaid, flute succeeded.  This performance was released in January, 1925 on a double sided 12 inch Victor Red Seal record..." 

DEBUSSY Prélude à l'après-midi d'un faune
SCHUBERT  "Unfinished" Symphony, No. 8
WAGNER  Orchestral excerpts
TCHAIKOVSKY Symphonic movements and short pieces

Leopold Stokowski, conductor
The Philadelphia Orchestra

Recorded 1919-1924
PASC441 (79:01)

Pristine Classical - what the reviewers say:

These transfers represent such clean, careful, and intelligent work that they still demand to be heard" - Fanfare
"Pristine Audio is to be commended for their stunning remastering" - Classical CD Review
"Recording quality such as could only be dreamed of back then..." - MusicWeb International
"The Pristine sound has a clarity, body, presence and focus..." - International Record Review
"Quite a revelation - they've done an amazing job!" - CD Review, BBC Radio Three
"Studio 8-H is transformed into a free, open space, as beautifully atmospheric as the originals were dead" - Classical Recordings Quarterly
"The SACD was nice, but next to the Pristine remasterings, the piano was rather wooden-sounding and somewhat opaque..." - Audiophile Audition

This site uses cookies. By continuing to browse this site you are agreeing to our use of cookies. Find out more here.