George Malcolm (1917-1997) was an English harpsichordist, organist, conductor and choirmaster. He became a major figure in British keyboard and choral music, especially through his work at Westminster Cathedral and his harpsichord performances.

In the Pristine catalogue he appears in concertos for two keyboards by J. S. Bach and C. P. E. Bach, with Lionel Salter, Charles Spinks and Karl Haas.

Malcolm’s playing brought rhythmic bite, clarity and character to the harpsichord at a time when the instrument was regaining a public place.

His page is justified by stature and repertory. Malcolm gives the keyboard shelf a crisp, bright pluck of authority.