Paul Angerer was an Austrian conductor, violist and composer, active in orchestral, chamber and contemporary repertory.

In the Pristine catalogue he appears with Alfred Brendel in early concerto recordings of Mozart, Prokofiev and Schoenberg.

Angerer’s role here belongs to the precise business of concerto collaboration, balancing modern clarity with the need to let a young pianist’s profile emerge.

His page is justified by secure identity and catalogue context. Angerer gives the early Brendel shelf a Viennese podium and chamber-music trace.