Eunice Norton (1908-2005) was an American pianist, admired for modern and contemporary repertory as well as for chamber music. She was particularly associated with twentieth-century music.

In the Pristine catalogue she appears with Stokowski in Schoenberg, Dubensky and Hindemith repertory, including the Philadelphia modern-music context of the early 1930s.

Norton’s work here belongs to the pianist’s more adventurous territory: rhythmically alert, texturally clear and ready for music still wearing new shoes.

Her page is justified by both repertory and musical standing. Norton brings a sharp, intelligent keyboard glint to Pristine’s modernist shelf.