Édouard Nies-Berger (1903-2002) was a Swiss-born organist and pianist who worked in Europe and the United States. He became associated with French and Franco-Swiss repertory as both performer and teacher.

In the Pristine catalogue he appears in New York Philharmonic recordings under Charles Munch, including repertory by d’Indy, Liszt, Mozart and Saint-Saëns.

Nies-Berger’s musicianship sits at the meeting point of keyboard discipline, orchestral collaboration and French-school clarity. Such work depends on precision as much as display.

His page is justified by secure identity and catalogue usefulness. Nies-Berger brings a refined keyboard accent to the Munch recordings.