London Symphony Orchestra
The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic in the 1930s and the Philharmonia and Royal Philharmonic after the Second World War. The profit-sharing principle was abandoned in the post-war era as a condition of receiving public subsidy for the first time. In the 1950s the orchestra debated whether to concentrate on film work at the expense of symphony concerts; many senior players left when the majority of players rejected the idea. By the 1960s the LSO had recovered its leading position, which it has retained subsequently. In 1966, to perform alongside it in choral works, the orchestra established the LSO Chorus, originally a mix of professional and amateur singers, later a wholly amateur ensemble.
As a self-governing body, the orchestra selects the conductors with whom it works. At some stages in its history, it has dispensed with a principal conductor and worked only with guests. Among conductors with whom it is most associated are, in its early days, Hans Richter, Sir Edward Elgar, and Sir Thomas Beecham, and in more recent decades Pierre Monteux, André Previn, Claudio Abbado, Sir Colin Davis, and Valery Gergiev.
Since 1982, the LSO has been based in the Barbican Centre in the City of London. Among its programmes there have been large-scale festivals celebrating composers as diverse as Berlioz, Mahler and Bernstein. The LSO claims to be the world's most recorded orchestra; it has made gramophone recordings since 1912 and has played on more than 200 soundtrack recordings for the cinema, of which the best known include the Star Wars series.
London Symphony Orchestra
BRUCH Violin Concerto No. 1
ELGAR Violin Concerto
Studio recordings, 1931/32
Total duration: 72:36
London Symphony Orchestra
Sir Edward Elgar conductor
Sir Landon Ronald conductor
RAVEL Daphnis et Chloé
RAVEL Rapsodie espagnole
RAVEL Pavane pour une infante défunte
Stereo studio recordings, 1959 & 1961
Total duration: 73:58
Royal Opera House Chorus
London Symphony Orchestra
conducted by Pierre Monteux
FAURÉ Pelléas et Mélisande Suite
Recorded 1953 & 1954
Duration: 17:49
London Symphony Orchestra
Conductor: Gaston Poulet
MOZART Symphony No. 31, "Paris"
TCHAIKOVSKY Romeo and Juliet Love Duet (in English)
NONO Canti di vita e d’amore: Sul ponte di Hiroshima
DEBUSSY Nocturnes
Live stereo concert recording, 1962
Total duration: 78:30
Marie Collier, soprano
Dorothy Dorow, soprano
Richard Lewis, tenor
London Symphony Orchestra
John Pritchard, conductor
PROKOFIEV Piano Concerto No 3 in C, Op. 26
PROKOFIEV Romeo and Juliet - Suite No 2, Op. 64b
Recorded 1932 and 1938
Total duration: 56:31
Sergei Prokofiev, piano
London Symphony Orchestra
cond. Piero Coppola
Moscow Philharmonic Symphony Orchestra
cond. Sergei Prokofiev
MENDELSSOHN Violin Concerto
BRUCH Violin Concerto No. 1
Recorded in 1957 in stereo
Total duration: 50:40
Ruggiero Ricci, violin
London Symphony Orchestra
conductor Pierino Gamba