Prokofiev
A graduate of the St Petersburg Conservatory, Prokofiev initially made his name as an iconoclastic composer-pianist, achieving notoriety with a series of ferociously dissonant and virtuosic works for his instrument, including his first two piano concertos. In 1915, Prokofiev made a decisive break from the standard composer-pianist category with his orchestral Scythian Suite, compiled from music originally composed for a ballet commissioned by Sergei Diaghilev of the Ballets Russes. Diaghilev commissioned three further ballets from Prokofiev—Chout, Le pas d'acier and The Prodigal Son—which at the time of their original production all caused a sensation among both critics and colleagues. Prokofiev's greatest interest, however, was opera, and he composed several works in that genre, including The Gambler and The Fiery Angel. Prokofiev's one operatic success during his lifetime was The Love for Three Oranges, composed for the Chicago Opera and subsequently performed over the following decade in Europe and Russia.
After the Revolution of 1917, Prokofiev left Russia with the official blessing of the Soviet minister Anatoly Lunacharsky, and resided in the United States, then Germany, then Paris, making his living as a composer, pianist and conductor. During that time, he married a Spanish singer, Carolina (Lina) Codina, with whom he had two sons. In the early 1930s, the Great Depression diminished opportunities for Prokofiev's ballets and operas to be staged in America and western Europe. Prokofiev, who regarded himself as composer foremost, resented the time taken by touring as a pianist, and increasingly turned to the Soviet Union for commissions of new music; in 1936, he finally returned to his homeland with his family. He enjoyed some success there – notably with Lieutenant Kijé, Peter and the Wolf, Romeo and Juliet, and perhaps above all with Alexander Nevsky.
The Nazi invasion of the USSR spurred him to compose his most ambitious work, an operatic version of Leo Tolstoy's War and Peace. In 1948, Prokofiev was attacked for producing "anti-democratic formalism." Nevertheless, he enjoyed personal and artistic support from a new generation of Russian performers, notably Sviatoslav Richter and Mstislav Rostropovich: he wrote his ninth piano sonata for the former and his Symphony-Concerto for the latter.
Prokofiev
Rimsky-Korsakoff Piano Concerto
Rachmaninov Piano Concerto No. 1
Rachmaninov Piano Concertos No. 2
Prokofiev Piano Concerto No. 1
Glazunov Piano Concerto No. 1
Studio Recordings · 1950-59
Total duration: 2hr 33:34
Leningrad Philharmonic Orchestra
Moscow Philharmonic Orchestra
Moscow Youth Orchestra
USSR Radio & TV Large Symphony Orchestra
Yevgeny Mravinsky - Kirill Kondrashin - Kurt Sanderling, conductors
ALBÉNIZ Ibéria - El Corpus en Sevilla
BACH Toccata & Fugue in D minor
BACH Two Chorales
BARBER Symphony in One Movement
BEETHOVEN Coriolan Overture
BEETHOVEN Symphony No. 1
BRAHMS Piano Quartet No. 1
DEBUSSY Prélude à l'après-midi d'un faune
DEBUSSY Nuages & Fêtes
DOHNÁNYI Suite for Orchestra
DVOŘÁK Symphony No. 8
GLINKA Ruslan and Ludmila - Overture
HINDEMITH Mathis der Maler Symphony
HUMPERDINCK Hänsel und Gretel - Prelude
PROKOFIEV Symphony No. 1
RAVEL Pavane pour une infante défunte
RESPIGHI Ancient Airs and Dances
SCHREKER Der Geburtstag der Infantin
SCRIABIN Symphony No. 3
SHOSTAKOVICH Symphony No. 5
STAROKADOMSKY Concerto for Orchestra
STRAVINSKY Firebird Suite
J. STRAUSS II Die Fledermaus - Overture
J. STRAUSS II Tales from the Vienna Woods
R. STRAUSS Also sprach Zarathustra
R. STRAUSS Rosenkavalier Waltzes
R. STRAUSS Till Eulenspiegels lustige Streiche
TCHAIKOVSKY Symphony No. 5
VIVALDI Concerto in D minor
WAGNER Die Meistersinger - excerpts
WEBER Oberon - Overture
Broadcast recordings, 1938
NBC Symphony Orchestra
conducted by Artur Rodziński
ALBÉNIZ Ibéria: El Corpus En Sevilla
BARBER Symphony In One Movement
BEETHOVEN Coriolan Overture
DEBUSSY Prélude à l’après midi d’un faune
DOHNÁNYI Suite for Orchestra
PROKOFIEV Symphony no. 1
RESPIGHI Ancient Airs and Dances
SHOSTAKOVICH Symphony no. 5
WAGNER Die Meistersinger - excerpts
WEBER Oberon - Overture
Live broadcast recordings, 1938
Total duration: 2hr 35:57
NBC Symphony Orchestra
conducted by Artur Rodziński
Recorded Moscow, 1959
Total duration: 2hr 22:39
Gennady Rozhdestvensky, conductor
PURCELL-STOKOWSKI “When I am laid in earth” (Dido and Aeneas)
TCHAIKOVSKY Andante cantabile from Symphony No. 5; Dance of the Sugar Plum Fairy from The Nutcracker
PROKOFIEV Three excerpts from The Love for Three Oranges
Studio recordings, 1941-50
Total duration: 65:02
New York City Symphony Orchestra
NBC Symphony Orchestra
BACH Chorale Preludes
SZABELSKI Toccata
SHOSTAKOVICH Prelude in E flat minor
PROKOFIEV Romeo and Juliet Suite
TCHAIKOVSKY Swan Lake Suite
BRAHMS Symphony No. 2
GLIERE Symphony No. 3
Recorded 1958
Total duration: 2hr 37:58
Chicago Symphony Orchestra
conducted by Leopold Stokowski