Dvořák
Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was aged 31. Seeking recognition beyond the Prague area, he first submitted a score of his First Symphony to a prize competition in Germany, but he did not win, and the manuscript, not returned, was lost until rediscovered many decades later. Then in 1874 he first made a submission for the Austrian State Prize for Composition, including scores of two further symphonies and other works. Johannes Brahms, unbeknownst to Dvořák, was the leading member of the jury and was highly impressed. The prize was awarded to Dvořák for 1874[a] and again in 1876 and in 1877, when Brahms and the prominent critic Eduard Hanslick, also a member of the jury, made themselves known to him. Brahms recommended Dvořák to his publisher, Simrock, who soon afterward commissioned what became the Slavonic Dances, Op. 46. These were highly praised by the Berlin music critic Louis Ehlert in 1878, the sheet music (of the original piano 4-hands version) had excellent sales, and Dvořák’s international reputation at last was launched.
Dvořák’s first piece of a religious nature, his setting of Stabat Mater, was premiered in Prague in 1880. It was very successfully performed in London in 1883, leading to many other performances in the United Kingdom and United States. In his career, Dvořák made nine invited visits to England, often conducting performances of his own works. His Seventh Symphony was written for London. Visiting Russia in March 1890, he conducted concerts of his own music in Moscow and Saint Petersburg. In 1891 Dvořák was appointed as a professor at the Prague Conservatory. In 1890–91, he wrote his Dumky Trio, one of his most successful chamber music pieces. In 1892, Dvořák moved to the United States and became the director of the National Conservatory of Music of America in New York City. While in the United States, Dvořák wrote his two most successful orchestral works. The Symphony From the New World spread his reputation worldwide. His Cello Concerto is one of the most highly regarded of all cello concerti. Also, he wrote his American String Quartet, his most appreciated piece of chamber music. But shortfalls in payment of his salary, along with increasing recognition in Europe and an onset of homesickness, led him to leave the United States in 1895 and return to Bohemia.
Dvořák’s nine operas other than his first, Alfred, have librettos in Czech and were intended to convey Czech national spirit, as were some of his choral works. By far the most successful of the operas is Rusalka. Among his smaller works, the seventh Humoresque and the song "Songs My Mother Taught Me" are also widely performed and recorded. He has been described as "arguably the most versatile... composer of his time".
Dvořák
BACH Prelude and Fugue in E-flat, “St. Anne”
BACH Toccata and Fugue in D minor
BENJAMIN Overture to an Italian Comedy
BRAHMS Piano Quartet No. 1
CHAUSSON Symphony in B-flat
DVOŘÁK Carnival Overture
DVOŘÁK In Nature’s Realm
ELGAR Enigma Variations
GLAZUNOV The Seasons
GLINKA Ruslan and Ludmila - Overture
GOLDMARK Rustic Wedding Symphony
GRIEG Peer Gynt excerpts
MENDELSSOHN A Midsummer Night’s Dream excerpts
R. STRAUSS Also Sprach Zarathustra
R. STRAUSS Aus Italien - On the Shores of Sorrento
SAINT-SAËNS Danse macabre
SMETANA The Bartered Bride - Overture
STOCK Symphonic Waltz
TCHAIKOVSKY 1812 Overture
TCHAIKOVSKY Marche slave
WAGNER Siegfried - Forest Murmurs
WAGNER Die Meistersinger - Prelude
plus music by: Bizet, Carey, Dohnányi, Enescu, François Schubert, Glière, Handel, Ippolitov-Ivanov, J. Strauss II, Järnefelt, Liadov, MacDowell, Meacham, Mozart, Paganini, Ponchielli, Rezniček, Rimsky-Korsakov, Schubert, Schumann, Sibelius, Simonetti, Suk, Suppé, Thomas, Toch, Volkmann, Walton, Weber and Wolf-Ferrari
Studio recordings, 1930-1941
Chicago Symphony Orchestra
conducted by Frederick Stock
WAGNER Preludes & Orchestral Excerpts
BRAHMS Hungarian Dances
DVOŘÁK Carnival Overture
GOLDMARK In Springtime Overture
J. STRAUSS II Four Waltzes
SUPPÉ Poet And Peasant Overture
THOMAS Mignon Overture
music by Elgar, Sibelius, Handel, Mendelssohn et al
Studio recordings, 1916-1926
Total duration: 2hr 30:36
Chicago Symphony Orchestra
conducted by Frederick Stock
BACH Orchestral Suite No. 2
DOHNÁNYI Suite in F-sharp minor
SCHUMANN Symphony No., "Spring"
TCHAIKOVSKY Symphony No. 5
music by Dvořák, Glazunov, Glinka, Smenata, Strauss, Suk, Wagner
Studio recordings, 1925-29
Total duration: 2hr 34:06
Chicago Symphony Orchestra
conducted by Frederick Stock
BACH Prelude & Fugue "St. Anne"
WAGNER Siegfried - Forest Murmurs
DVOŘÁK In Nature's Realm
R. STRAUSS On the Shores of Sorrento
CHAUSSON Symphony in B-flat
Studio recordings, 1941
Total duration: 75:42
Chicago Symphony Orchestra
conducted by Frederick Stock
HAYDN Symphony No. 94, "Surprise"
TCHAIKOVSKY Symphony No. 2, "Little Russian"
ROSSINI L'italiana in Algeri - Overture
DVOŘÁK Symphony No. 9, "From the New World"
Live stereo broadcast recordings, 1962
Total duration: 1hr 52:52
Boston Symphony Orchestra
conducted by Carlo Maria Giulini
VAUGHAN WILLIAMS A London Symphony
DEBUSSY Petite Suite
DVOŘÁK Slavonic Dances Nos. 1-4
Studio recordings, 1925/26 (& *1923)
Total duration: 72:31 (*downloads: 87:52)
London Symphony Orchestra
conducted by Sir Dan Godfrey