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Pristine Classical:  the finest historic recorded music, remastered to award-winning acclaim!

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Huberman

Huberman: Beethoven & Brahms Violin Concertos

‘As soon as Brahms heard the sound of the violin, he pricked up his ears, during the Andante he wiped his eyes, and after the finale he went into the green room, embraced the young fellow, and stroked his cheeks.’ - Max Kalbeck, 1896

Two classic performances, one in the studio, one live, from one of the greatest and most under-recorded violinists of the 20th century. "There are no greater violin recordings in existence, and I urge you to hear - no, to buy them." - Rob Cowan, Gramophone

Beethoven Violin Concerto
Brahms Violin Concerto

Vienna Philharmonic Orchestra
Philharmonic-Symphony Orchestra of New York
George Szell/Artur Rodzinsky - conductors
Bronislaw Huberman, violin
  

Recorded 1934/44 - PASC421  (76:23)

Schnabel

Schnabel plays Schubert Impromptus

"How beautifully Schnabel plays the quiet modulation of G minor to A flat major, one of Schubert's magical touches. There is some waywardness about the tempo and one is reminded of Schnabel's views about the playing of triplets in the course of the piece, but this is most endearing and masterly playing and, if expectation be fulfilled, I look forward greatly to the appearance of the remainder of the set, the G flat major particularly." - The Gramophone, 1951

Originally recorded for 78rpm release, poor piano tone has always been the Achilles heel of this wonderful set of Schubert Impromptus. This release, thanks to Pristine's XR remastering, aims to finally resolve this problem. Schnabel's Schubert has never sounded so good!

Schubert 4 Impromptus, D.899
Schubert 4 Impromptus, D.935

Artur Schnabel, piano

Recorded 1950  
PAKM064 (57:18)


Accidental Stereo

Accidental Stereo, 1929-1933

This remarkable release, a collaboration between Mark Obert-Thorn and Andrew Rose, brings together almost all the known "accidental stereo" classical recordings onto a single release. Using new technology and new techniques brilliantly to marry up 78rpm sides cut from different microphones, we recreate authentic stereo sonic imagery before stereo had been officially "invented", more accurately and convincingly than has ever been possible until now. The results are incredible to hear, taking you back 85 years in a way that mono recordings simply can't. As essential listen!

Tchaikovsky Symphony No. 6, Pathétique
Ravel Boléro
Saint-Saëns Carnival of the Animals
Stravinsky The Rite of Spring
Elgar Cockaigne Overture

Sir Edward Elgar - BBC Symphony Orchestra
Serge Koussevitzky - Boston Symphony Orchestra
Leopold Stokowski - The Philadelphia Orchestra

Recorded 1929-1933 
PASC 422 (74:03)

Pristine Classical - what the reviewers say:

"
These transfers represent such clean, careful, and intelligent work that they still demand to be heard" - Fanfare
"Pristine Audio is to be commended for their stunning remastering" - Classical CD Review
"Recording quality such as could only be dreamed of back then..." - MusicWeb International
"The Pristine sound has a clarity, body, presence and focus..." - International Record Review
"Quite a revelation - they've done an amazing job!" - CD Review, BBC Radio Three
"Studio 8-H is transformed into a free, open space, as beautifully atmospheric as the originals were dead" - Classical Recordings Quarterly
"The SACD was nice, but next to the Pristine remasterings, the piano was rather wooden-sounding and somewhat opaque..." - Audiophile Audition