{"product_id":"paco240","title":"BÜSSER Gounod: Faust (Paris, 1930) - PACO240","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eGOUNOD \u003c\/b\u003eFaust\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio recording, 1930\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 2hr 36:16\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003eFaust - \u003cb\u003eCésar Vezzani\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eMarguerite - \u003cb\u003eMireille Berthon\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eMéphistophélès - \u003cb\u003eMarcel Journet\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cb\u003eOrchestra and Chorus of the Paris Opéra\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eConducted by \u003cb\u003eHenri Büsser\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PACO240.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003eWhen the French branch of the Gramophone Company recorded Charles Gounod’s \u003cem\u003eFaust\u003c\/em\u003e in Paris during 1930, it preserved far more than a celebrated opera. Conducted by Henri Büsser with the orchestra and chorus of the Paris Opéra, this recording captures an entire performing tradition at its height: the supple diction, conversational elegance and stylistic poise of French opera between the wars. Nearly a century later, it remains one of the most idiomatic and compelling recorded accounts of \u003cem\u003eFaust\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eRecorded between February and November 1930, the original issue occupied forty sides of 78 rpm discs. Although not absolutely complete, it presented a remarkably substantial version of the opera for its time, including the Walpurgis Night music and ballet, and was described by a contemporary reviewer as “practically complete.” At a time when the limitations of the 78 rpm disc usually demanded extensive cuts, this was an ambitious undertaking that preserved not only Gounod’s score but also a performing tradition already beginning to disappear.\u003c\/p\u003e\n\n\u003cp\u003eHenri Büsser (1872-1973) brought unique authority to the project. A pupil of both Charles Gounod and Jules Massenet, he belonged to the last generation with direct personal links to the composer. Throughout a long career as conductor, composer and teacher, Büsser became one of the foremost custodians of the French operatic tradition.\u003c\/p\u003e\n\n\u003cp\u003eHis conducting avoids heaviness and theatrical excess, favouring clarity, flexibility and close attention to the natural accents of the French language. The result is a performance of remarkable continuity, despite having been assembled over many recording sessions. Büsser’s spacious pacing favours the long-spun melody while allowing Gounod’s orchestral colours to emerge with unusual transparency.\u003c\/p\u003e\n\n\u003cp\u003eAs Faust, César Vezzani (1888-1951) brings heroic ardour and unmistakable vocal glamour. One of the leading French dramatic tenors of his generation, he combines lyrical warmth with ringing power, qualities heard to memorable effect in \u003cem\u003eSalut! demeure chaste et pure\u003c\/em\u003e and the final prison scene. His performance preserves one of the fullest surviving documents of a remarkable artist whose career was centred largely within France.\u003c\/p\u003e\n\n\u003cp\u003eMireille Berthon (1889-1955) sings Marguerite with refinement and emotional restraint rather than overt sentimentality. Her poised phrasing, clear diction and finely focused tone exemplify the distinctive virtues of French singing between the wars. From the sparkle of the Jewel Song to the pathos of the church scene and the serenity of the final redemption, Berthon creates a Marguerite whose character develops naturally through the drama rather than serving simply as a showcase for vocal display.\u003c\/p\u003e\n\n\u003cp\u003eThe dominant dramatic personality of the set, however, is Marcel Journet (1868-1933) as Méphistophélès. By 1930 he was already celebrated at Covent Garden, La Scala, the Metropolitan Opera and the Paris Opéra. His Devil is urbane rather than grotesque, seductive rather than merely sinister. In \u003cem\u003eLe veau d’or\u003c\/em\u003e, temptation is conveyed through elegance and intelligence rather than brute force, while throughout the opera his superb command of both voice and language creates one of the most compelling assumptions of the role ever preserved on disc.\u003c\/p\u003e\n\n\u003cp\u003eThe supporting cast, together with the orchestra and chorus of the Paris Opéra, contribute immeasurably to the performance’s authenticity. Modern listeners may initially be surprised by its elegance and intimacy, yet these very qualities give the recording its enduring value. Rather than treating \u003cem\u003eFaust\u003c\/em\u003e as grand spectacle alone, Büsser and his singers reveal a work of wit, tenderness, sensuality and psychological subtlety.\u003c\/p\u003e\n\n\u003cp\u003eThe Paris Opéra Orchestra plays with a refinement and pliancy characteristic of the French school, from the pearly woodwinds to the burnished strings and sensitive balances. The chorus, too, is notable for the unity of its French diction and the natural flow of its ensembles, essential in an opera where choral comment and atmosphere are so integral to the drama.\u003c\/p\u003e\n\n\u003cp\u003eFar from being merely a historical document, this 1930 \u003cem\u003eFaust\u003c\/em\u003e remains a vivid window into a vanished French operatic tradition, preserved with extraordinary vitality by artists who understood its language and style from within. Its historical importance is matched by its enduring musical conviction, qualities that continue to make it one of the finest French opera recordings of the 78 rpm era.\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size:24px;\"\u003e\u003cb\u003eGOUNOD\u003c\/b\u003e \u003cem\u003eFaust\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px;\"\u003e\n\u003cb\u003eCD 1\u003c\/b\u003e \u003cspan style=\"font-size:14px;\"\u003e(77:20)\u003c\/span\u003e\n\u003c\/p\u003e\n\n\u003cp\u003e\n\u003cspan style=\"font-size:16px;\"\u003e\u003cb\u003eACT ONE\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e01.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eIntroduction\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(4:29)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e2 October 1930; CG 869-3 (Disque Gramophone L 806)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e02.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eRien! En vain j’interroge\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(4:46)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e1 April 1930; CF 3122-1 (Disque Gramophone L 806)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e03.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eAh! Paresseuse fille qui sommeille encor!\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(1:33)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003e04.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eAux champs l’aurore nous rappelle\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(1:09)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e2 April 1930; CF 3123-3 (Disque Gramophone L 807)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e05.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eMais, ce Dieu, que peut-il pour moi?\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(3:37)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003e06.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eÀ moi les plaisirs\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(5:31)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e3 April 1930; CF 3128-2 \u0026amp; 3129-2 (Disque Gramophone L 807 \u0026amp; L 808)\u003c\/span\u003e\n\u003c\/p\u003e\n\n\u003cp\u003e\n\u003cspan style=\"font-size:16px;\"\u003e\u003cb\u003eACT TWO\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e07.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eVin ou bière, bière ou vin\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(4:46)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e20 February 1930; CF 2963-2 \u0026amp; 2964-2 (Disque Gramophone L 808 \u0026amp; L 809)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e08.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eO sainte médaille\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(1:35)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003e09.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eAvant de quitter ces lieux\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(4:35)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e15 October 1930; CG 951-2 (Disque Gramophone L 809)\u003cbr\u003e\n2 October 1930; CG 882-2 [part] (Disque Gramophone L 810)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e10.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eLe veau d’or est toujours debout\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(1:55)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e2 October 1930; CG 882-2 [part] (Disque Gramophone L 810)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e11.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eMerci de ta chanson!\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(2:33)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003e12.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eDe l’enfer qui vient émousser nos armes\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(2:05)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e31 March 1930; CF 3115-2 (Disque Gramophone L 810)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e13.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eNous nous retrouverons, mes amis!\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(1:26)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003e14.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eAinsi que la brise légère\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(2:40)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e3 April 1930; CF 3132-2 (Disque Gramophone L 811)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e15.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eNe permettrez-vous pas ma belle demoiselle\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(3:55)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e3 April 1930; CF 3133-2 (Disque Gramophone L 811)\u003c\/span\u003e\n\u003c\/p\u003e\n\n\u003cp\u003e\n\u003cspan style=\"font-size:16px;\"\u003e\u003cb\u003eACT THREE\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e16.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eFaites-lui mes aveux\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(2:55)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003e17.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eC’est ici?\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(2:01)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e31 March 1930; CF 3118-1 (Disque Gramophone L 812)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e18.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eQuel trouble inconnu . . . Salut! Demeure\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(4:34)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e1 April 1930; CF 3120-1 (Disque Gramophone L 812)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e19.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eAlerte! La voilà\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(0:38)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e10 November 1930; CG 859-4 [part] (Disque Gramophone L 813)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e20.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eJe voudrais bien savoir . . . Il était un roi de Thulé\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(4:44)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e10 November 1930; CG 859-4 [part] (Disque Gramophone L 813)\u003cbr\u003e\n31 March 1930; CF 3117-2 [part] (Disque Gramophone L 813)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e21.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eUn bouquet! . . . Ah, je ris de me voir si belle\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(5:27)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e31 March 1930; CF 3117-2 [part] (Disque Gramophone L 813)\u003cbr\u003e\n1 April 1930; CF 3121-2 (Disque Gramophone L 814)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e22.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eSeigneur Dieu, que vois-je!\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(2:59)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e10 November 1930; CG 860-4 [part] (Disque Gramophone L 814)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e23.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003ePrenez mon bras un moment\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(6:01)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e10 November 1930; CG 860-4 [part] (Disque Gramophone L 814)\u003cbr\u003e\n10 November 1930; CG 870-2 (Disque Gramophone L 815)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e24.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eIl était temps!\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(1:18)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e19 November 1930; CG 877-2 [part] (Disque Gramophone L 815)\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:18px;\"\u003e\n\u003cb\u003eCD 2\u003c\/b\u003e \u003cspan style=\"font-size:14px;\"\u003e(78:56)\u003c\/span\u003e\n\u003c\/p\u003e\n\n\u003cp\u003e\n\u003cspan style=\"font-size:16px;\"\u003e\u003cb\u003eACT THREE - continued\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e01.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eIl se fait tard, adieu!\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(3:44)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e19 November 1930; CG 877-2 [part] (Disque Gramophone L 815)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e02.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eO nuit d’amour, ciel radieux\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(5:03)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e31 March 1930; CF 3119-3 (Disque Gramophone L 816)\u003cbr\u003e\n15 October 1930; CG 950-2 [part] (Disque Gramophone L 816)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e03.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eTête folle! . . . Il m’aime!\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(3:12)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e15 October 1930; CG 950-2 [part] (Disque Gramophone L 816)\u003c\/span\u003e\n\u003c\/p\u003e\n\n\u003cp\u003e\n\u003cspan style=\"font-size:16px;\"\u003e\u003cb\u003eACT FOUR\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e04.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eSeigneur, daignez permettre\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(4:48)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e20 March 1930; CF 3078-1 (Disque Gramophone L 817)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e05.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eQuand du Seigneur le jour luira\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(4:12)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e20 March 1930; CF 3079-3 (Disque Gramophone L 817)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e06.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eDéposons les armes!\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(3:03)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e20 March 1930; CF 3080-1 (Disque Gramophone L 818)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e07.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eGloire immortelle de nos aïeux\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(3:05)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e20 March 1930; CF 3081-1 (Disque Gramophone L 818)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e08.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eAllons, Siebel! Entrons dans la maison\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(0:48)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003e09.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eQu’attendez-vous encore?\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(1:09)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003e10.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eVous qui faites l’endormie\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(2:45)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e13 October 1930; CG 934-2 (Disque Gramophone L 819)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e11.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eQue voulez-vous, messieurs?\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(3:54)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e13 October 1930; CG 935-2 (Disque Gramophone L 819)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e12.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003ePar ici, par ici, mes amis!\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(2:00)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e31 March 1930; CF 3116-2 (Disque Gramophone L 820)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e13.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eÉcoute-moi bien, Marguerite\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(4:15)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e2 April 1930; CF 3124-1 (Disque Gramophone L 820)\u003c\/span\u003e\n\u003c\/p\u003e\n\n\u003cp\u003e\n\u003cspan style=\"font-size:16px;\"\u003e\u003cb\u003eACT FIVE\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e14.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eDans les bruyères\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(3:06)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e3 April 1930; CF 3134-2 (Disque Gramophone L 821)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e15.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eJusqu’aux premiers feux du matin\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(3:23)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e3 April 1930; CF 3135-2 (Disque Gramophone L 821)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e16.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eLes Nubiennes\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(2:05)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e13 March 1930; CF 3061-2 [part] (Disque Gramophone L 822)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e17.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eAdagio\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(3:36)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e13 March 1930; CF 3062-2 (Disque Gramophone L 822)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e18.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eDanse antique\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(1:26)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e13 March 1930; CF 3061-2 [part] (Disque Gramophone L 822)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e19.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eVariation de Cléopâtre\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(1:19)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003e20.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eLes Troyennes\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(2:08)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e13 March 1930; CF 3063-1 (Disque Gramophone L 823)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e21.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eVariation du miroir\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(1:26)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003e22.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eDanse de Phryné\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(2:35)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e13 March 1930; CF 3064-1 (Disque Gramophone L 823)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e23.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eQue ton ivresse, ô volupté\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(1:52)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e3 April 1930; CF 3130-1 [part] (Disque Gramophone L 824)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e24.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eVa-t’en!\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(3:56)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e3 April 1930; CF 3130-1 [part] (Disque Gramophone L 824)\u003cbr\u003e\n2 October 1930; CG 883-1 [part] (Disque Gramophone L 824)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e25.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eMon cœur est pénétré d’épouvante!\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(5:24)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e2 October 1930; CG 883-1 [part] (Disque Gramophone L 824)\u003cbr\u003e\n13 October 1930; CG 936-2 [part] (Disque Gramophone L 825)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e26.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eAlerte, alerte, ou vous êtes perdus\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(2:50)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e13 October 1930; CG 936-2 [part] (Disque Gramophone L 825)\u003cbr\u003e\n3 April 1930; CF 3131-2 [part] (Disque Gramophone L 825)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\n\u003cspan style=\"font-size:14px;\"\u003e27.\u003c\/span\u003e \u003cspan style=\"font-size:16px;\"\u003eSauvée! Christ est ressuscité!\u003c\/span\u003e \u003cspan style=\"font-size:12px;\"\u003e(1:39)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:12px;\"\u003e3 April 1930; CF 3131-2 [part] (Disque Gramophone L 825)\u003c\/span\u003e\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:16px;\"\u003e\n\u003cb\u003e\u003cbr\u003ePerformers\u003c\/b\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003eFaust - \u003cb\u003eCésar Vezzani\u003c\/b\u003e, tenor\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003eMarguerite - \u003cb\u003eMireille Berthon\u003c\/b\u003e, soprano\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003eMéphistophélès - \u003cb\u003eMarcel Journet\u003c\/b\u003e, bass\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003eValentin - \u003cb\u003eLouis Musy\u003c\/b\u003e, baritone\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003eDame Marthe Schwertlein - \u003cb\u003eJeanne Montfort\u003c\/b\u003e, mezzo-soprano\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003eWagner - \u003cb\u003eMichel Cozette\u003c\/b\u003e, baritone\u003c\/span\u003e\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:16px;\"\u003e\n\u003cb\u003eOrchestra and Chorus of the Paris Opéra\u003c\/b\u003e\u003cbr\u003e\nconducted by \u003cb\u003eHenri Büsser\u003c\/b\u003e\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:16px;\"\u003e\n\u003cspan style=\"font-size:14px;\"\u003eProducer and Audio Restoration Engineer: \u003cb\u003eMark Obert-Thorn\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/p\u003e\n\n\u003cp style=\"font-size:16px;\"\u003e\n\u003cspan style=\"font-size:14px;\"\u003e\u003cb\u003eTotal duration: 2hr 36:16\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PACO240.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PACO240.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Mono 16-bit FLAC","offer_id":60137162375502,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":true},{"title":"320kbps Mono MP3","offer_id":60137162408270,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1691\/2535\/files\/PACO240.jpg?v=1784117401","url":"https:\/\/www.pristineclassical.com\/products\/paco240","provider":"Pristine Classical","version":"1.0","type":"link"}