{"product_id":"paco237","title":"KONWITSCHNY Wagner’s Ring: 2. Die Walküre (Covent Garden, 1959) - PACO237","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eWAGNER \u003c\/b\u003eDie Walküre\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 12px;\"\u003eLive broadcast performance, 1959\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 3hr 38:06\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 16px;\"\u003eSiegmund -\u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003e Ramón Vinay\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 16px;\"\u003eSieglinde - \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eAmy Shuard\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 16px;\"\u003eHunding - \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eKurt Böhme\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 16px;\"\u003eBrünnhilde - \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eAstrid Varnay\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 16px;\"\u003eWotan - \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eHans Hotter\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 16px;\"\u003eFricka - \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eUrsula Böse\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size:16px;\"\u003e\u003cb\u003eOrchestra of the Royal Opera House, Covent Garden\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size:16px;\"\u003econducted by \u003cb\u003eFranz Konwitschny\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PACO237.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003eAmong the many surviving post-war \u003cem\u003eRing\u003c\/em\u003e cycles, the 1959 Covent Garden performances occupy a particularly fascinating place. They unite a remarkable company of Wagner singers, many of them veterans of Bayreuth and the international stage, with Franz Konwitschny, one of the major German conductors of his generation. Heard today, these performances offer far more than star casting. They preserve a style of Wagner singing and conducting poised between older dramatic immediacy and the more sculpted, symphonic approach that would increasingly dominate later decades.\u003c\/p\u003e\u003cp\u003eFollowing \u003cem\u003eDas Rheingold\u003c\/em\u003e, this 23 September 1959 broadcast of \u003cem\u003eDie Walküre\u003c\/em\u003e brings us to the emotional heart of the cycle. If \u003cem\u003eRheingold\u003c\/em\u003e is the glittering prelude to catastrophe, \u003cem\u003eDie Walküre\u003c\/em\u003e is where Wagner’s drama becomes painfully human: the meeting of Siegmund and Sieglinde, Wotan’s terrible conflict between power and love, Brünnhilde’s awakening compassion, and the final, devastating farewell between father and daughter. It is also the point at which a \u003cem\u003eRing\u003c\/em\u003e performance must prove itself not merely by splendour, but by its capacity for intimacy, tenderness and sustained dramatic pressure.\u003c\/p\u003e\u003cp\u003eThe 1959 Covent Garden \u003cem\u003eRing\u003c\/em\u003e was eagerly followed in the press, though reviewers tended to discuss the cycle as a whole rather than each broadcast separately. What emerges clearly from their accounts is that Konwitschny’s arrival was felt as a significant change after Rudolf Kempe’s earlier Royal Opera performances. Critics noted that Kempe had shaped the four operas with a strong sense of overall continuity, while Konwitschny worked in shorter spans, giving particular scenes a vivid surge and theatrical sharpness. He was not a conductor afraid of rough edges or dramatic force, and contemporary reports suggest that he could drive climaxes with considerable power while remaining unusually attentive to the balance between stage and pit.\u003c\/p\u003e\u003cp\u003eThat quality is essential in \u003cem\u003eDie Walküre\u003c\/em\u003e, where voices must ride the orchestra without being submerged by it. The cast is led by Astrid Varnay as Brünnhilde, Hans Hotter as Wotan, Ramón Vinay as Siegmund and Amy Shuard as Sieglinde. Varnay was already one of the great Brünnhildes of the age, a singer whose vocal authority and dramatic concentration had become defining features of post-war Wagner performance. Hotter’s Wotan likewise needs little introduction: by 1959 he had lived with the role for years, and his command of text, colour and inward conflict remained among the wonders of the Wagnerian stage.\u003c\/p\u003e\u003cp\u003eThe particular revelation for London audiences was Amy Shuard. Contemporary comment singled her out as one of the outstanding successes of the cycle. In one of her first major Wagner roles, she was praised for vocal power, sympathetic acting and firmness of line. In an opera where Sieglinde can too easily become merely the object of Siegmund’s ardour or Wotan’s decree, Shuard evidently made a strong impression as a living, suffering woman, giving the first act its necessary emotional charge.\u003c\/p\u003e\u003cp\u003eRamón Vinay’s Siegmund was more controversial. By this stage in his career he brought immense experience and unmistakable presence, though some critics found aspects of the portrayal vocally and dramatically strained. Yet there is a compelling historical interest in hearing him here, not as an abstract ideal of lyrical heroism, but as a stage animal of the old school, throwing himself into Wagner’s drama with the authority of a singer who had inhabited this repertoire at the highest level.\u003c\/p\u003e\u003cp\u003eKonwitschny’s \u003cem\u003eWalküre\u003c\/em\u003e may not always seek polish for its own sake. Its virtues lie elsewhere: momentum, urgency, strong theatrical profile and an instinctive understanding that Wagner’s orchestra must breathe with the singers. In the great confrontations of Act II and the long farewell of Act III, the performance belongs to a tradition in which the \u003cem\u003eRing\u003c\/em\u003e is first and foremost music drama, alive in the theatre, under pressure, and unfolding before an audience rather than preserved under studio glass.\u003c\/p\u003e\u003cp\u003eThe BBC sound is again remarkable for its period. Despite the inevitable limitations of a live Covent Garden relay from 1959, the balance between voices and orchestra is natural and engaging, with a strong sense of stage space and theatrical atmosphere. Pristine’s Ambient Stereo XR remastering further opens the original broadcast image, restoring warmth, depth and presence while preserving the electricity of live performance. The result brings this great Covent Garden \u003cem\u003eWalküre\u003c\/em\u003e vividly into the present: not as a museum relic, but as a living document of Wagner performance at a crucial moment in its post-war history.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cdiv style=\"font-size:24px;\"\u003e\n\u003cb\u003eWAGNER\u003c\/b\u003e Die Walküre\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\n\u003cb\u003eDISC ONE\u003c\/b\u003e \u003cspan style=\"font-size:14px;\"\u003e(61:43)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\u003cb\u003eACT ONE\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\n1. Prelude \u003cspan style=\"font-size:14px;\"\u003e(2:50)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\u003cb\u003eSCENE ONE\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\n2. Wes Herd dies auch, hier muß ich rasten \u003cspan style=\"font-size:14px;\"\u003e(3:41)\u003c\/span\u003e\u003cbr\u003e\n3. Kühlende Labung gab mir der Quell! \u003cspan style=\"font-size:14px;\"\u003e(8:51)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\u003cb\u003eSCENE TWO\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\n4. Müd am Herd fand ich den Mann \u003cspan style=\"font-size:14px;\"\u003e(4:44)\u003c\/span\u003e\u003cbr\u003e\n5. Friedmund darf ich nicht heißen \u003cspan style=\"font-size:14px;\"\u003e(4:06)\u003c\/span\u003e\u003cbr\u003e\n6. Aus dem Wald trieb es mich fort \u003cspan style=\"font-size:14px;\"\u003e(5:34)\u003c\/span\u003e\u003cbr\u003e\n7. Ich weiß ein wildes Geschlecht \u003cspan style=\"font-size:14px;\"\u003e(5:28)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\u003cb\u003eSCENE THREE\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\n8. Ein Schwert verhieß mir der Vater \u003cspan style=\"font-size:14px;\"\u003e(5:43)\u003c\/span\u003e\u003cbr\u003e\n9. Schläfst du, Gast? \u003cspan style=\"font-size:14px;\"\u003e(6:39)\u003c\/span\u003e\u003cbr\u003e\n10. Winterstürme wichen dem Wonnemond \u003cspan style=\"font-size:14px;\"\u003e(2:44)\u003c\/span\u003e\u003cbr\u003e\n11. Du bist der Lenz \u003cspan style=\"font-size:14px;\"\u003e(6:34)\u003c\/span\u003e\u003cbr\u003e\n12. Wehwalt heißt du fürwahr! \u003cspan style=\"font-size:14px;\"\u003e(4:49)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\n\u003cb\u003eDISC TWO\u003c\/b\u003e \u003cspan style=\"font-size:14px;\"\u003e(79:37)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\u003cb\u003eACT TWO\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\n1. Prelude \u003cspan style=\"font-size:14px;\"\u003e(2:04)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\u003cb\u003eSCENE ONE\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\n2. Nun zäume dein Roß, reisige Maid! \u003cspan style=\"font-size:14px;\"\u003e(2:56)\u003c\/span\u003e\u003cbr\u003e\n3. Der alte Sturm, die alte Müh'! \u003cspan style=\"font-size:14px;\"\u003e(4:24)\u003c\/span\u003e\u003cbr\u003e\n4. So ist es denn aus mit den ewigen Göttern \u003cspan style=\"font-size:14px;\"\u003e(3:02)\u003c\/span\u003e\u003cbr\u003e\n5. Nichts lerntest du \u003cspan style=\"font-size:14px;\"\u003e(5:37)\u003c\/span\u003e\u003cbr\u003e\n6. Was verlangst du? \u003cspan style=\"font-size:14px;\"\u003e(5:22)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\u003cb\u003eSCENE TWO\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\n7. Schlimm, fürcht' ich, schloß der Streit \u003cspan style=\"font-size:14px;\"\u003e(4:24)\u003c\/span\u003e\u003cbr\u003e\n8. Was keinem in Worten ich künde \u003cspan style=\"font-size:14px;\"\u003e(5:49)\u003c\/span\u003e\u003cbr\u003e\n9. Ein andres ist's - achte es wohl! \u003cspan style=\"font-size:14px;\"\u003e(10:01)\u003c\/span\u003e\u003cbr\u003e\n10. O sag, künde, was soll nun dein Kind! \u003cspan style=\"font-size:14px;\"\u003e(6:55)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\u003cb\u003eSCENE THREE\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\n11. Raste nun hier; gönne dir Ruh! \u003cspan style=\"font-size:14px;\"\u003e(3:13)\u003c\/span\u003e\u003cbr\u003e\n12. Hinweg! Hinweg! Flieh die Entweihte! \u003cspan style=\"font-size:14px;\"\u003e(8:06)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\u003cb\u003eSCENE FOUR\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\n13. Siegmund! Sieh auf mich! \u003cspan style=\"font-size:14px;\"\u003e(7:09)\u003c\/span\u003e\u003cbr\u003e\n14. Hehr bist du und heilig \u003cspan style=\"font-size:14px;\"\u003e(5:43)\u003c\/span\u003e\u003cbr\u003e\n15. So wenig achtest du ewige Wonne! \u003cspan style=\"font-size:14px;\"\u003e(4:52)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\n\u003cb\u003eDISC THREE\u003c\/b\u003e \u003cspan style=\"font-size:14px;\"\u003e(76:47)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\u003cb\u003eACT TWO, SCENE FIVE\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\n1. Zauberfest bezähmt ein Schlaf \u003cspan style=\"font-size:14px;\"\u003e(3:18)\u003c\/span\u003e\u003cbr\u003e\n2. Kehrte der Vater nur heim! \u003cspan style=\"font-size:14px;\"\u003e(5:50)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\u003cb\u003eACT THREE, SCENE ONE\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\n3. Prelude - Hojotoho! Hojotoho! Heiaha! Heiaha! \u003cspan style=\"font-size:14px;\"\u003e(8:40)\u003c\/span\u003e\u003cbr\u003e\n4. Schützt mich und helft in höchster Not! \u003cspan style=\"font-size:14px;\"\u003e(3:28)\u003c\/span\u003e\u003cbr\u003e\n5. Nicht sehre dich Sorge um mich \u003cspan style=\"font-size:14px;\"\u003e(5:07)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\u003cb\u003eSCENE TWO\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\n6. Steh, Brünnhild'! \u003cspan style=\"font-size:14px;\"\u003e(0:54)\u003c\/span\u003e\u003cbr\u003e\n7. Wo ist Brünnhild', wo die Verbrecherin? \u003cspan style=\"font-size:14px;\"\u003e(3:34)\u003c\/span\u003e\u003cbr\u003e\n8. Hier bin ich, Vater - gebiete die Strafe! \u003cspan style=\"font-size:14px;\"\u003e(3:55)\u003c\/span\u003e\u003cbr\u003e\n9. Wehe! Weh! Schwester, ach Schwester! \u003cspan style=\"font-size:14px;\"\u003e(4:30)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\u003cb\u003eSCENE THREE\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size:16px;\"\u003e\n10. War es so schmählich, was ich verbrach? \u003cspan style=\"font-size:14px;\"\u003e(5:19)\u003c\/span\u003e\u003cbr\u003e\n11. Nicht weise bin ich, doch wusst' ich das eine \u003cspan style=\"font-size:14px;\"\u003e(4:51)\u003c\/span\u003e\u003cbr\u003e\n12. So tatest du, was so gern zu tun ich begehrt? \u003cspan style=\"font-size:14px;\"\u003e(6:31)\u003c\/span\u003e\u003cbr\u003e\n13. Du zeugtest ein edles Geschlecht \u003cspan style=\"font-size:14px;\"\u003e(5:20)\u003c\/span\u003e\u003cbr\u003e\n14. Leb wohl, du kühnes, herrliches Kind! \u003cspan style=\"font-size:14px;\"\u003e(2:08)\u003c\/span\u003e\u003cbr\u003e\n15. Denn einer nur freie die Braut \u003cspan style=\"font-size:14px;\"\u003e(8:19)\u003c\/span\u003e\u003cbr\u003e\n16. Loge, hör! Lausche hieher! \u003cspan style=\"font-size:14px;\"\u003e(5:03)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\n\u003cb\u003eOrchestra of the Royal Opera House, Covent Garden\u003c\/b\u003e\u003cbr\u003e\n\u003cspan style=\"font-size:14px;\"\u003eLeader: Charles Taylor\u003c\/span\u003e\u003cbr\u003e\nconducted by \u003cb\u003eFranz Konwitschny\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\nCAST\n\u003c\/div\u003e\n\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\nSiegmund - \u003cb\u003eRamón Vinay\u003c\/b\u003e\u003cbr\u003e\nSieglinde - \u003cb\u003eAmy Shuard\u003c\/b\u003e\u003cbr\u003e\nHunding - \u003cb\u003eKurt Böhme\u003c\/b\u003e\u003cbr\u003e\nBrünnhilde - \u003cb\u003eAstrid Varnay\u003c\/b\u003e\u003cbr\u003e\nWotan - \u003cb\u003eHans Hotter\u003c\/b\u003e\u003cbr\u003e\nFricka - \u003cb\u003eUrsula Böse\u003c\/b\u003e\u003cbr\u003e\nGerhilde - \u003cb\u003eJoyce Barker\u003c\/b\u003e\u003cbr\u003e\nOrtlinde - \u003cb\u003eUna Hale\u003c\/b\u003e\u003cbr\u003e\nWaltraute - \u003cb\u003eMargreta Elkins\u003c\/b\u003e\u003cbr\u003e\nSchwertleite - \u003cb\u003eJean Watson\u003c\/b\u003e\u003cbr\u003e\nHelmwige - \u003cb\u003eJudith Pierce\u003c\/b\u003e\u003cbr\u003e\nSiegrune - \u003cb\u003eNoreen Berry\u003c\/b\u003e\u003cbr\u003e\nGrimgerde - \u003cb\u003eHeather Begg\u003c\/b\u003e\u003cbr\u003e\nRoßweiße - \u003cb\u003eJosephine Veasey\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\nBBC radio broadcast from Royal Opera House, Covent Garden, London\u003cbr\u003e\n23 September 1959\u003cbr\u003e\nXR remastered by Andrew Rose\u003cbr\u003e\nCover artwork based on a photograph of Franz Konwitschny\n\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\n\n\u003cdiv style=\"font-size:16px;\"\u003e\n\u003cb\u003eTotal duration: 3hr 38:06\u003c\/b\u003e\n\u003c\/div\u003e\n578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PACO237.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PACO237.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Ambient Stereo 24-bit FLAC","offer_id":59904531824974,"sku":null,"price":48.0,"currency_code":"EUR","in_stock":true},{"title":"Ambient Stereo 16-bit FLAC","offer_id":59904531857742,"sku":null,"price":33.0,"currency_code":"EUR","in_stock":true},{"title":"320kbps Ambient Stereo MP3","offer_id":59904531890510,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1691\/2535\/files\/PACO237.jpg?v=1781617059","url":"https:\/\/www.pristineclassical.com\/products\/paco237","provider":"Pristine Classical","version":"1.0","type":"link"}