{"product_id":"paco234","title":"FURTWÄNGLER Bach: St. Matthew Passion (1954) - PACO234","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cspan style=\"font-size: 24px;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBACH\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003e St. Matthew Passion, BWV 244\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eLive recording, 1954\u003c\/span\u003e\u003cbr\u003e\r\n\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 2hr 41:58\u003c\/span\u003e\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eElisabeth Grümmer\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, soprano\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\r\n\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eMarga Höffgen\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, contralto\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\r\n\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eAnton Dermota\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, tenor - Evangelist\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\r\n\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eDietrich Fischer-Dieskau\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, baritone - Jesus\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\r\n\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eOtto Edelmann\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e, bass - arias, Peter, Pilate, Judas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\r\n\u003c\/span\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cb\u003eWiener Philharmoniker\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\r\n\u003c\/span\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cb\u003eWiener Singakademie\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\r\n\u003c\/span\u003e\u003cspan style=\"font-size: 16px;\"\u003e\u003cb\u003eWiener Sängerknaben\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e\r\n\u003c\/span\u003e\u003cspan style=\"font-size: 18px;\"\u003e\u003cspan style=\"font-size: 16px;\"\u003econductor \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eWilhelm Furtwängler\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PACO234.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cspan style=\"font-size: 14px;\"\u003eRecorded in Vienna in April 1954, and drawing on a montage from live Konzerthaus performances given between 14 and 17 April, Wilhelm Furtwängler’s account of Bach’s \u003ci\u003eSt Matthew Passion\u003c\/i\u003e stands among the most individual and searching interpretations of this work to have come down to us from the pre-period-instrument era. It brings together the Vienna Philharmonic and the Wiener Singakademie under a conductor whose approach to Bach was shaped less by questions of historical reconstruction than by a lifelong engagement with the central Austro-German tradition.\u003c\/span\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-size: 14px;\"\u003eBy the time of these performances, Furtwängler was widely regarded as one of the defining musical figures of his age, and his interpretations of Beethoven, Brahms and Wagner had already assumed near-legendary status. Bach, while never central to his public image in quite the same way, nevertheless occupied an important place in his musical thinking. When he conducted it, he did so not as a Baroque specialist but as a musician for whom the music spoke in universal, almost metaphysical terms. The result, in performances such as this, is Bach heard through a distinctly twentieth-century lens: expansive in scale, flexible in tempo, and profoundly concerned with long-breathed musical line.\u003c\/span\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-size: 14px;\"\u003eThe opening chorus, \u003ci\u003eKommt, ihr Töchter\u003c\/i\u003e, sets the tone immediately. Rather than presenting the music with choral precision and architectural clarity, Furtwängler shapes it as a vast unfolding procession, the two choirs moving with a sense of weight and inevitability that recalls his readings of Bruckner as much as any conventional notion of Bach style. Throughout the work, tempi are elastic, phrases are moulded with great freedom, and transitions are guided by a deeply instinctive sense of musical direction.\u003c\/span\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-size: 14px;\"\u003eCentral to the success of the performance is the Evangelist of Anton Dermota, whose clear, unaffected delivery anchors the narrative with remarkable poise. His account avoids operatic excess while maintaining a strong sense of line, allowing the drama to emerge naturally from the text. Opposite him, the young Dietrich Fischer-Dieskau brings tonal nobility and a strongly individual presence to the role of Christ, combining authority with a distinctive expressive profile. Among the soloists, Elisabeth Grümmer is notable for the purity and radiance of her singing, while the supporting cast contributes to a performance that, for all its scale, retains a strong sense of ensemble.\u003c\/span\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-size: 14px;\"\u003eThe Vienna Philharmonic and choirs respond to Furtwängler with playing and singing of warmth and commitment, if not always with the degree of textual clarity that later generations would come to expect. Yet it is precisely this sonorous weight and blend that form part of the performance’s distinctive character. The chorales, in particular, are shaped as collective statements of reflection, their broad phrasing and rich tonal palette reinforcing the work’s overarching sense of gravity.\u003c\/span\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-size: 14px;\"\u003eHeard today, this \u003ci\u003eSt Matthew Passion\u003c\/i\u003e inevitably stands at some remove from current performance practice. The rise of historically informed approaches has brought with it lighter textures, faster tempi and a greater emphasis on Baroque articulation. Furtwängler offers something quite different: a reading in which Bach is treated as part of a continuous musical tradition, his music understood in terms that link it directly to the great symphonic repertoire of the nineteenth century.\u003c\/span\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-size: 14px;\"\u003eThese performances were given only a few months before Furtwängler’s death in November 1954, at a time when there was little sense that his career was nearing its end. Plans were already in motion for further major projects, including a new \u003ci\u003eRing\u003c\/i\u003e cycle. In that light, the \u003ci\u003eSt Matthew Passion\u003c\/i\u003e heard here is not a conscious farewell but rather a continuation of an artistic journey still very much in progress. Even so, it remains one of his most profound statements on sacred music, capturing a conductor at the height of his interpretative powers, engaging with Bach in a manner that is at once deeply personal and unmistakably of its time.\u003c\/span\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003cspan style=\"font-size: 14px;\"\u003eThis present restoration offers an enhanced perspective on the original recording, addressing certain harshness in the upper frequencies and allowing a greater sense of space to emerge around the performers. Without altering the fundamental character of the source, it brings a measure of clarity and ease to the sound, enabling the listener to engage more fully with the breadth and depth of Furtwängler’s conception.\u003c\/span\u003e578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cb\u003eFURTWÄNGLER\u003c\/b\u003e BACH St. Matthew Passion\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cbr\u003e\n\n\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eDISC ONE: ST. MATTHEW PASSION, PART ONE\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12px;\"\u003e (79:31)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e1.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 1. Kommt, ihr Töchter helft mir klagen\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(8:26)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e2.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 2. Da Jesus diese Rede vollendet hatte\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:55)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e3.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 3. Herzliebster Jesu\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:41)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e4.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 4. Da versammleten sich die Hohenpriester\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:32)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e5.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 5. Ja nicht auf das Fest\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:18)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e6.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 6. Da nun Jesus war zu Bethanien\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:39)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e7.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 7. Wozu dienet dieser Unrat?\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:37)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e8.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 8. Da das Jesus merkte, sprach er zu ihnen\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:58)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e9.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 9. Du lieber Heiland du\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:24)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e10.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 10. Buß und Reu\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(5:18)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e11.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 11. Da ging hin der Zwölfen einer\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:43)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e12.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 12. Blute nur, du liebes Herz!\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(5:40)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e13.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 13. Aber am ersten Tage der süßen Brote\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:16)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e14.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 14. Wo willst du, dass wir dir bereiten\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:28)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e15.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 15. Er sprach\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(2:01)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e16.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 16. Ich bin's, ich sollte büßen\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:32)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e17.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 17. Er antwortete und sprach\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(4:10)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e18.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 18. Wiewohl mein Herz in Tränen schwimmt\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:53)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e19.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 20. Und da sie den Lobgesang gesprochen hatten\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:34)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e20.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 21. Erkenne mich, mein Hüter\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:56)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e21.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 22. Petrus aber antwortete und sprach zu ihm\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:18)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e22.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 24. Da kam Jesus mit ihnen zu einem Hofe\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(2:13)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e23.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 25. O Schmerz!\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(3:06)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e24.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 26. Ich will bei meinem Jesu wachen\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(6:25)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e25.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 27. Und ging hin ein wenig\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:59)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e26.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 28. Der Heiland fällt vor seinem Vater nieder\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:32)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e27.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 30. Und er kam zu seinen Jüngern\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:38)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e28.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 31. Was mein Gott will, das g'scheh allzeit\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(2:03)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e29.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 32. Da kam er zu seinen Jüngern und sprach\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(2:42)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e30.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 33. So ist mein Jesus nun gefangen\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(4:44)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e31.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 34. Zu der Stund sprach Jesus zu den Scharen\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:22)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e32.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 35. O Mensch, bewein dein Sünde groß\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(8:27)\u003c\/span\u003e\u003cbr\u003e\n\u003cbr\u003e\n\n\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eDISC TWO: ST. MATTHEW PASSION, PART TWO\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003e \u003cspan style=\"font-size: 12px;\"\u003e(44:23)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e33.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 36. Ach, nun ist mein Jesus hin!\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(5:47)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e34.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 37. Die aber Jesum gegriffen hatten\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:42)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e35.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 39. Und der Hohepriester stund auf und sprach zu ihm\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:36)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e36.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 42. Petrus aber antwortete und sprach zu ihm\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:53)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e37.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 43. Da speieten sie aus in sein Angesicht\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:48)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e38.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 44. Wer hat dich so geschlagen\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:43)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e39.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 45. Petrus aber saß draußen im Palast\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:22)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e40.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 46. Da hub er an, sich zu verfluchen und zu schwören\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:35)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e41.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 47. Erbarme dich\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(9:00)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e42.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 52. Jesus aber stund vor dem Landpfleger\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:06)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e43.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 53. Befiehl du deine Wege\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(2:01)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e44.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 54. Auf das Fest aber hatte der Landpfleger Gewohnheit\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(2:52)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e45.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 56. Der Landpfleger sagte\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:16)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e46.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 57. Er hat uns allen wohlgetan\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:42)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e47.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 58. Aus Liebe will mein Heiland sterben\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(5:12)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e48.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 59. Sie schrieen aber noch mehr und sprachen\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(2:21)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e49.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 60. Erbarm es Gott!\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:47)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e50.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 62. Da nahmen die Kriegsknechte\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(1:24)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e51.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 63. O Haupt voll Blut und Wunden\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(2:16)\u003c\/span\u003e\u003cbr\u003e\n\u003cbr\u003e\n\n\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eDISC THREE: ST. MATTHEW PASSION, PART TWO CONCLUDED\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12px;\"\u003e (39:03)\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e52.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 64. Und da sie ihn verspottet hatten\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:56)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e53.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 65. Ja freilich will in uns das Fleisch und Blut\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:47)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e54.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 66. Komm, süßes Kreuz\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(9:24)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e55.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 67. Und da wurden zween Mörder\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(2:21)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e56.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 68. Desgleichen schmäheten ihn auch die Mörder\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:15)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e57.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 69. Golgatha, unseliges Golgatha!\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(2:34)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e58.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 71. Und von der sechsten Stunde an\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(2:49)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e59.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 72. Wenn ich einmal soll scheiden\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(2:36)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e60.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 73. Und siehe da\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(2:51)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e61.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 74. Am Abend, da es kühle war\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(2:37)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e62.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 76. Und Joseph nahm den Leib\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(0:40)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e63.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 77. Nun ist der Herr zur Ruh gebracht\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(2:41)\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e64.\u003c\/span\u003e \u003cspan style=\"font-size: 14px;\"\u003eNo. 78. Wir setzen uns mit Tränen nieder\u003c\/span\u003e \u003cspan style=\"font-size: 12px;\"\u003e(8:33)\u003c\/span\u003e\u003cbr\u003e\n\u003cbr\u003e\n\n\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eElisabeth Grümmer\u003c\/b\u003e, soprano\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eMarga Höffgen\u003c\/b\u003e, contralto\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eAnton Dermota\u003c\/b\u003e, tenor - Evangelist\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eDietrich Fischer-Dieskau\u003c\/b\u003e, baritone - Jesus\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eOtto Edelmann\u003c\/b\u003e, bass - arias, Peter, Pilate, Judas\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eWiener Philharmoniker\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eWiener Singakademie\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 18px;\"\u003e\u003cb\u003eWiener Sängerknaben\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 18px;\"\u003econductor \u003cb\u003eWilhelm Furtwängler\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cbr\u003e\n\n\u003cspan style=\"font-size: 14px;\"\u003eXR remastering by Andrew Rose\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 14px;\"\u003eRecorded live in the Großer Konzerthaussaal, Wien, 14-17 April 1954\u003c\/span\u003e\u003cbr\u003e\n\u003cspan style=\"font-size: 14px;\"\u003eTotal duration: 2hr 41:58\u003c\/span\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PACO234.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PACO234.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Ambient Stereo 24-bit FLAC","offer_id":59292505375054,"sku":null,"price":48.0,"currency_code":"EUR","in_stock":true},{"title":"Ambient Stereo 16-bit FLAC","offer_id":59292505407822,"sku":null,"price":33.0,"currency_code":"EUR","in_stock":true},{"title":"320kbps Ambient Stereo MP3","offer_id":59292505440590,"sku":null,"price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1691\/2535\/files\/PACO234_9690f593-7e70-4b14-9c9d-fc4f817503a0.jpg?v=1775174410","url":"https:\/\/www.pristineclassical.com\/products\/paco234","provider":"Pristine Classical","version":"1.0","type":"link"}