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Heifetzs plays Bach's Sonatas and Partitas for Solo Violin - PACM075

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Heifetzs plays Bach's Sonatas and Partitas for Solo Violin - PACM075-CD
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Jascha Heifetz, violin
Recorded Hollywood, 1952 and Camden, NJ, 1925

XR remastering by Andrew Rose at Pristine Audio, February 2011
Cover artwork based on a photograph of Jascha Heifetz

Total duration: 2hr 9:01
©2011 Pristine Audio.


"Heifetz's greatest achievement in the recording studio"

Bach's solo Sonatas and Partitas in superb new XR remastering


  • BACH Sonatas and Partitas for solo violin, BWV1001-1006 [notes / score]
    Recorded 21st October 1952 (Sonata No. 1 & Partita No. 3), 22nd October 1952 (Sonata No. 3), 23rd October 1952 (Partita No. 1), 24th October 1952 (Sonata No. 2, Partita No. 2), RCA Victor Studios, Hollywood, California, USA.
    First issued as RCA Victor 3 LP set LM 6105.
  • BACH Partita No. 3 in E major BWV 1006, Menuetts I & II (1925 recording)
    Recorded 29th December, 1925, Victor Studios, Camden, New Jersey, USA, issued in the USA as Victor 6564 and in the UK as HMV DB945, Matrix Number CVE 34072

    Jascha Heifetz, violin

    Downloads include PDF scans of Bach's original manuscript score

    REVIEW: THE GRAMOPHONE, JUNE 1973 (reissue)

    To my shame, I had not heard these performances before, yet although I would hardly wish normally to listen consecutively to six unaccompanied violin works, I have several times heard these three discs through in rapt fascination. Heifetz is a violinist, not a scholar, and as such probably is not considered highly these days as a Bach player. But so much the worse for the people who do the rating, for these performances are practically as good as the music itself.

    Their prime characteristic is an absolute and unflinching clarity which perfectly conveys the music's power and directness—in the complex opening Adagio of Sonata No. 3, for example. Add to this an unswerving integrity of line, even in the fugues which, the Second Partita's Chaconne notwithstanding, are the most astonishing movements of the astonishing works.

    Hear, too, the fullness and variety of tone throughout—how many voices the violin is proved to have during the Chaconne! —the sustained expressive force of movements such as the Allemande of Partita No. 1 or the richly elaborated Grave of the Second Sonata, and the wonderful resilience of quick pieces like the Gigue from Partita No. 2, a true sublimated dance.

    Perhaps these discs are Heifetz's greatest achievement in the recording studio.


Notes on the transfers:

These recordings, remarkably for a violin player who had such a long and illustrious career, represent the only complete set of Bach's Sonatas and Partitas for Solo Violin recorded by Heifetz. Prior to the 1952 recordings he made a handful of recordings in 1935 for HMV which appear to have been unissued at the time in favour of Yehudi Menuhin's discs - records suggest some of Heifetz's 1930s EMI Bach recordings finally saw release in the mid-1970s.

I have also included his very first recording of any of these works, a 1925 early electric which partnered a short piece by Couperin on a single side of a one-off disc which appeared both in the UK on HMV and in the USA on Victor.

The 1952 recording has suffered at the hands of a number of remastering engineers, not least RCA Victor's own - a CD issue of these recordings I've heard can only be described as vile. Hopefully nobody will say the same of this new remastering, which aims to restore a clarity and directness of tone to this wonderful set of performances that has been all-too-often absent elsewhere.

Andrew Rose





Find out more:

Partita No. 3 in E major, BWV1006
Gavotte en Rondeau, Menuetts I & II
(Ambient Stereo version)

CD covers to print:
(NB. Disable Page Scaling before printing)

PACM075 cover

CD-writing cuesheet (save as .cue):
(Use this to split MP3 files - see here)

Cue Sheets are Included in MP3 download

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XR remastering by Andrew Rose:
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