Recorded
in 1955, released as DGG LPM 18509
Download ID: 247374, 434951
(Duration
26'31")
Play
sample movement:
The
pianist is a classicist to her fingertips, throwing off pearl-like
runs of notes with a consistently lovely tone, and her artistry
is fully matched by her colleagues...
- Tully Potter on Trio Santoliquido, Classic Record
Collector
Trio Santoliquido's
readings of the Beethoven Piano Trios are a continuing source of delight
to me, and this 1955 recording of the sixth seems to suit them perfectly.
(You will find three further recordings of Beethoven Trios on Divine Art
CD 27803, including the partner to the present
recording, Op. 70 No. 1.)
The work
is somewhat unusual in its four-movement structure during Beethoven's
time, and the the music is particularly sunny in character, despite a
rather sombre, reflective slow opening. In the first movement we do hear
contrasts between light and shade in the two main themes, but their interaction
is playful and charming. The graceful Allegretto of the second movement's
rondo theme and variations is exquisite, and much of the movement shares
a delicacy of touch with the lyrical third. The finale begins with a brief
fanfare and a burst of dramatic energy before opening out into vibrant
movement that appears to head inevitably to its positive conclusion.
Trio Santoliquido
was founded in Rome in 1942 and from 1956 also played as the Quartetto
di Roma with violist Bruno Giuranna, as well as contributing to chamber
orchestra recordings by the Virtuosi di Roma under Renato Fasano. They
suffered from being overshadowed by the Trio di Trieste, perhaps because
its members had other musical interests. All three taught and were soloists;
violinist Pelliccia also took part in the Quintetto Boccherini and played
viola; and the Russian-born cellist, Massimo Amfitheatrof, was equally
busy.
Find
out more:
1st
Movement Poco sostenuto - Allegro ma non
troppo