The
Pro Arte Quartet
Recorded in 1935 and originally released as HMV DB2774-2780
Matrix Numbers: 2EA2539-I, 2EA2540-I, 2EA2514-I, 2EA2542-I, 2EA2543-II,
2EA2544-I, 2EA2545-I, 2EA2546-I, 2EA1312-II, 2EA1313-II, 2EA1314-II,
2EA1315-II, 2EA1316-II, 2EA1317-III.
(Duration
59'57")
Quartet
in D major, Op.20 No.4
Quartet
in F major, Op.74 No.2
Quartet
in F major, Op.77 No.2
Play
sample movement:
It
seems to me that the reprocessing and sonic enhancement of the 78's comprising
this series grows finer with each volume: the sound is richer and aerier
and there is greater presence and sense of staging. The music never disappoints;
the variety is beyond compare. How did one man conceive of such a body
of work?
Op.
20 #5 from the great "Sun" quartet series begins with a mellow
theme which dominates the entire movement. A nearly textbook example of
the "false recapitulation" ensues. A slow movement featuring
variations is followed by a short minuet. The quartet is capped off by
a mercurial finale in sonata form containing numerous themes with many
starts and stops in Haydn's typical witty mode.
Op.
74 #2 begins with a fanfare theme which is subject to considerable contrapuntal
development, but which is allowed to recapitulate nearly normally (or
as normal as Haydn ever gets). A slow movement with beautiful but rather
conventional variations is followed by a vigorous minuet and a beautifully
contrasted trio. The finale is a hell-for-leather prestissimo which never
slackens but does permit a short development to zip by.
Op.
77 #2, Haydn's last completed quartet, begins with a full, rich first
movement whose themes are subject to a long development and a regular
recapitulation. An agitated yet playful minuet encloses a suave trio.
A noble andante is subject to variations which never really stray far
from the theme. How Haydn does this while still maintaining interest is
a secret known only to him. Haydn's last quartet finale is one of the
most thoroughly developed movements in classical quartet literature, a
fitting end to one of music's most inexhaustible treasures.
Notes
and review: Bill Rosen
Find
out more:
Quartet
in F major, Op. 74 No.2 1st mvt - Allegro spirituoso
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